Chunhyangdyun Returns!: The Analysis

I admit that my review of Chunhyangdyun might have been skewed by the Chunhyang story itself. After all, it was a little hard for me to like the folktale considering the incredibly antifeminist message of the story. Many fairytales and folktales include those elements, but I guess what disturbs me more is that Chunhyang herself is meant to represent the ideal Korean woman.

There are a few details in the movie that initially suggest a break from the mold. When Mongryong first sees Chunhyang, his servant Pangja tells him that Chunhyang is not too easy to woo; although she is a courtesan’s daughter, she is “well read, and writes poems.” While the subtitles also note that she is “arrogant,” you could also interpret it to mean that she is headstrong compared to other women of the time.

Awesome! An educated, self-assured heroine. What’s not to love?

I got nothing: A Chunhyangdyun Review

Pretty poster, boring movie.

People can usually appreciate a respectable work of art. I’m no aficionado, but it usually doesn’t take a scholar to recognize beauty.

No matter how beautiful, however, no matter how original, without depth or meaning a piece of art is useless. I like a good still-life, but see if I’ll sit around and stare at it for two hours.

This is the sentiment I had while watching the 2000 movie Chunhyangdyun. Directed by Kwon-taek Im, the movie adapts the old Korean folktale of the same name. The general story is that Chunhyang, a young courtesan’s (kisaeng) daughter, marries Mongryong, a governor’s son, in secret. Mongryong soon after follows his father to Seoul to complete a government exam, but Chunhyang cannot follow him; if their marriage is found out, Mongryong will be banned from taking the exam and also be disowned by his father. After Mongryong leaves, the replacement governor, Hakdo, makes advances on Chunhyang. She rejects him, remaining loyal to Mongryong, and is beaten and eventually sentenced to death for her disobedience. In the end, however, Mongryong comes back and saves Chunhyang.

When No Means Yes

I was recently browsing through manga on a scanlation site when I came across a maturity warning for Haou Airen. It read "WARNING: This series contains strong "consensual rape." Consensual rape? What does that even mean? It's like jumbo shrimp, an oxymoron. Luckily, the author of the warning wasn't completely oblivious to the ridiculousness of the statement. But why use the phrase in the first place?

Hating the HYD Wave

The following review was originally posted on Baka-Updates Manga in response to the overwhelmingly positive reviews of Hana Yori Dango, a manga that has been firmly established as a shoujo classic. As a member of the astoundingly small group of people who weren't completely enchanted by its wiles, I felt compelled to write the following review.