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| This is the fourth post I've written tagged with Marmalade Boy, by the way. |
If you're savvy on manga publishing in America, you might already know that Tokyopop shut down its US manga publishing operations on May 31.
I became obsessed with manga when I was about eleven. One of my friends, older and more informed than I was about the medium, took me to a Waldenbooks at a local mall. The manga section only took up one small shelf, crammed next to the cash register. I didn't know too much about what I was looking at, since while I was a comics reader, it was mostly of collections of
Calvin & Hobbes and
The Far Side. I had read a little manga at the beginning of the whole
Pokémon craze, a flipped version of Ono Toshihiro's
Pokémon: The Electric Tale of Pikachu, when I was about six, but I never went too much beyond that and some dubbed episodes of
Sailor Moon. I did draw a lot of
Pokémon fan comics, but we don't need to go into that.
She suggested Wataru Yoshizumi's
Marmalade Boy to me, licensed by Tokyopop. The cover was pretty unassuming, featuring a smiling girl looking at some unknown thing in the corner, but the story intro hooked me in the minute I skimmed its pages in that store, and I bought it.